Amir Ramses breaks the ‘Jew taboo’

Trailer in English for ‘the Jews of Egypt’


 There are two postive aspects about Amir Ramses’s new film, ‘Jews of Egypt’, writes Lyn Julius in the Times of Israel:   it breaks the ‘Jew taboo’, and admits that Egyptian Jews were kicked out.

In the week that Jews all over the world sat
down to mark their biblical exodus from Egypt, an Egyptian director was
struggling for the right to show a film on the 20th century exodus of
the country’s Jews.

Despite an attempt toblock ‘Jews of Egypt’’s release on security grounds, Amir Ramsesfinally
won his battle with the authorities: ‘Jews of Egypt’ went on general
release in three cinemas in Cairo and Alexandria on 27 March.

The film took three years to make. Ramses has
rightly been acclaimed for bravely tackling a ‘taboo’ subject: the Jews.
So poisoned are Egyptians with anti-Jewish hatred that the word Jew is
an insult and a provocation. Jews are malevolent, a curse, a cancer, the
‘enemies of Islam’. When informed that Leila Murad, one of Egypt’s most
popular film stars in its 1930s heyday, was Jewish, one man in the film
instantly loses his enthusiasm for her.

The Jews left their mark in all walks of
Egyptian life – contributing to culture and commerce. But with the
flight of its minorities, Egypt has become monolithic, dull and
impoverished. As the Canadian columnist Mark Steyn puts it: “Islam is king on a field of corpses.”

By leaving no doubt that Egypt’s 80,000 Jews
were driven out, Ramses has lifted the lid on another taboo. The Jews
did not leave of their own free will, as the official version would have
it. Some 20,000 fled in 1948 following internment and sequestration.
About 25,000 were brutally expelled after 1956 by Nasser, who took power
in a military coup in 1952. The refugees were prohibited from
returning. More persecution followed after 1967. For exposing this dark
episode of modern Egyptian history to a mass audience, Ramses must be
given due credit.

“We are in a very dark place. Egyptian society
has become pre-emptively racist. They fear and shun the ‘other’ until
proven otherwise,” Ramses told Al-Ahram online.

For Ramses, the near-extinct Jewish community –
some 50 Jewish women, almost all married to Christians or Muslims,
remain in Egypt – is the vanishing symbol of an earlier age of tolerance
and cosmopolitanism, as celebrated in books like Lawrence Durrell’s ‘Alexandria Quartet‘.

But how did the Jews, who had been a part of
the Egyptian landscape for 3,000 years, go from partners to enemies? How
did they become ‘controversial’?

Zionism was made a crime in 1948. The Jews of
Egypt became conflated with Zionists. (But the seeds of xenophobia had
already been planted. Discriminatory nationality laws predated the
creation of Israel; anti-Jewish disturbances often spilled over against
Greeks and Copts.)

However, choosing his interview subjects
carefully, Ramses clings to the delusion that if only Judaism could have
been distinguished from Zionism, the Jews would not have had to leave.
It’s pie in the sky: bigots target the ‘other’ for what he is, not for
his views.

One can understand Ramses’s survival strategy
as a film-maker operating in post-Arab Spring Egypt where artistic
expression is a fragile flower, easily crushed by the powers-that-be. To
escape being tarred with the Zionist brush – he has already been
accused of ‘normalisation’ with Israel – his film avoids altogether the
37,000 Egyptian Jews who fled to Israel. From what the trailer tells us,
apart from the few timorous Jews still in Egypt whom he persuades to
talk on camera, Ramses homes in on Jews in Paris or Switzerland. The
assassinated communist leader Henri Curiel exerts a particular
fascination for Ramses, who interviews his son Alain Gresh. Ramses’s
subjects seem more than happy to wallow in nostalgia and declare their
undying loyalty to Egypt, although they are hardly representative of the
community as a whole.

Nevertheless, the film appears to be a milestone.

Read article in full 

‘Jews of Egypt’ hits mainstream media


  • I'd like to extend my sympathy to anonymous. It's my story repeated day in day out.
    concerning the images seen on this film they are very dull and annoying. The vibrancy of our community does not appear.
    But let's congratuloate that very young man for daring to make this film;Hçope he does not end his life in Tura (one of the desert jails where Jews were put)
    however it is not my cup of tea!!!

  • We were British Jews. I was a teenager when I was rushed on a plane to Britain via Switzerland (with a useless return visa). My parents remained but left a month later with one suitcase one blanket and 2 Eg pounds minus the tax the Egyptians levied. My aged grandparents left a month later…same scenario.
    We were all safe and reunited in London. Penniless but free and safe!
    We were FREE! We could say whatever we felt like We could say the word Israel out loud, we could sing the Hatikvah in public without fearing the Muhabarrat.
    I have no regrets whatsoever at having left. It was a relief, and I deeply regret that my family and I had not left a long time earlier. Good riddance to a disgusting and sickening country, which a few years after the departure of all Jews became one ENORMOUS garbage bin..
    I blame those filthy bastards, for my beloved father’s death at the early age of 52 due to the constant stress that he had to endure in that lousy country.
    The hell with them.
    How can anyone regret having left is beyond me. I am now a grandmother of 6, and bless the day that I reached new shores. My children and grandchildren never had to endure what it meant to be hounded like criminals. I bless the fact that my parents and grandparents and the rest of my extended family are all buried in England.


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